Elizabeth Swados's 1971 musical Runaway has been pretty much forgotten over the years-- but the Encores! Off Center revival is buoyed by a terrific young ensemble and despite its now rather dated era and references, many of the lyrics are still pungent and include some excellent similes. For example, the poignant "Song of a Child Prostitute" likens a pimp-prostitute arrangement to a "mutual enterprise" and says that "sex is a business like kitchenware."
"O the Dead of Family Wars" has oys and girls seeing their mothers and fathers as "scraping the strength off selves like bark off trees" or their lives " spread out like caged bird wings" and "close up chance close like fat cardboard books."
Here's the link to my eview of the all too brief run at City Center www.curtainup.com/runawaysencores.html
The Simile-Metaphor Maven
Fun fact about figurative language by by the author of Metaphors Dictionary and the NEW Similes Dictionary.
Saturday, July 9, 2016
Monday, May 2, 2016
Shuffle Along's Wild About Harry"" is "sweet just like cotton candy
he's sweet just like chocolate candy
Or like the honey from a bee
Or like the honey from a bee
This lyric is from the best remembered song, " I'm Just Wild About Harry " given fresh life in George C. Wolfe's exhilarating homage to the creaters of the 1921 musical hit Shuffle Along. Here's a link to my review of the recently opened show:www.curtainup.com/shufflealong16.html
Saturday, September 5, 2015
A Delicate Ship is enriched by lyrical similes
Anna Ziegler's sad, lovely little play A Delicate Ship is essentially a love triangle. It begins as a quite evening between Sarah and her still new boyfriend Sam and turns into a contest for her affections with the arrival of childhood best friend Nate. The play is s enriched by smart and often lyrical dialogue, especially by the play's catalyst character, Nate -- as in this plea for her to live with him from which the play takes its title:
The volatile Nate describes his constant unhappiness and discontent with another lyrical simile:
Not if you let yourself. . .not if we were . . .You would never let me down. You couldn't We'd get through it all together; we'd traverse the endless series of days like explorers in a ship made of time itself, its delicate sails moving easily through the churning water.
The volatile Nate describes his constant unhappiness and discontent with another lyrical simile:
I cant accept that my life disappears behind me like a retreating wave, never to be seen again.To read my review see: www.curtainup.com/delicateship15.html
Thursday, June 4, 2015
Jim Parson's similistic view of prayer in a An Acto of God
The new Broadway season s launched by Jim Parson as God's stand-in in David Javerbaum's adaptation of his riff on a memoir written by the almighty. The spiffily staged but slight comedy is loaded with zingers, some funnier than others. I, of course why amused by the way y Parson's viewed prayer:
www.curtainup.com/actofgodbway15.html
From my point of view, prayer isHere's a link to the full review at curtainup.com
like an emergency services switchboard manned by
one operator who gets 12 million calls a minute.
www.curtainup.com/actofgodbway15.html
Sunday, May 24, 2015
Metaphorically speaking a#Outer Critics Awards i
This is the season for a tsunami of awards ceremonies. The most relaxed and most fun one is the Outer Cirtics Circle awards dinner at the legendary Sardi's restaurant. With only winners invited and each table a mix of OCC Members, honorees and their guests, the event is small and intimate and mercifully short.
The speeches too are brief but always fun. As an incorrigible tropes spotter, my favorite this year was the descripton of the roles in the award winning revival of You Can't Take It With You:
The speeches too are brief but always fun. As an incorrigible tropes spotter, my favorite this year was the descripton of the roles in the award winning revival of You Can't Take It With You:
"Eccentric characters practically crawl out of the woodwork at the family home in #You Can’t Take It With You, and a couple of them crawled into award contention for the first time–in this category. One was a tipsy actress who determinedly climbs the staircase as if it were Everest. The other—our honoree, #Annaleigh Ashford -- was a wannabe ballerina who kept the play in a constant state of bad poetry-in-motion, never walking across the room when she can bound across it like a demented ostrich.
Sunday, March 22, 2015
This Encores! revival made mefeel "light as a bumblebee"
The wonderful Encores! concert series did a wonderful production of a Lerner and Loewe musical with a wonderful score but troublesome book that probably accounts for it's neglect since 1951. While the lyrics aren't on a par with Oscar Hammerstein or Stephen Sondheim we did catch a few very apt similes.
The one below by the top name beneath the title, Keith Carradine, served as a nice lead-in quote:
I sure wish your mother was here. She'd know what to do. She was a real lady. She could read and she could write, just like you will someday. And she talked softer than a leaf hittin' water.
Here are a few other catchy ones. . .
You’re as useless as a milk-can in a bullpen --
I’m feeling higher than a lark can sing
Oh what a day!/ I'm feeling flighty as a bumblebee!
Here's a link to my review of the show curtainup/encorespaintyourwagon.html
w
The one below by the top name beneath the title, Keith Carradine, served as a nice lead-in quote:
I sure wish your mother was here. She'd know what to do. She was a real lady. She could read and she could write, just like you will someday. And she talked softer than a leaf hittin' water.
Here are a few other catchy ones. . .
You’re as useless as a milk-can in a bullpen --
I’m feeling higher than a lark can sing
Oh what a day!/ I'm feeling flighty as a bumblebee!
Here's a link to my review of the show curtainup/encorespaintyourwagon.html
w
Monday, March 16, 2015
Life is like a train!
A roaring rushing train!
You get on at the beginning,
You get off at the end.
The train inspiring this similistic ditty is, of course, the once fabulous 20th Century with its redcaps, plush compartments and other amenities. In the new revival of the musical screwball comedy , On the Twentieth Century, the four tap-dancing porters (no wheelies needed back in 1932) who introduce the 2nd act with that ditty stop the exuberant show.
For more about the show, here's a link to my revie
wwww.curtainup.com/onthe20thcentury15.html
A roaring rushing train!
You get on at the beginning,
You get off at the end.
The train inspiring this similistic ditty is, of course, the once fabulous 20th Century with its redcaps, plush compartments and other amenities. In the new revival of the musical screwball comedy , On the Twentieth Century, the four tap-dancing porters (no wheelies needed back in 1932) who introduce the 2nd act with that ditty stop the exuberant show.
For more about the show, here's a link to my revie
wwww.curtainup.com/onthe20thcentury15.html
Subscribe to:
Posts (Atom)